What’s up


Exhibition at Clark, Montreal – May 8th to June 14th 2014 (Photo: Paul Litherland)

Review of LA FOIRE, Nicolas Mavrikakis, Le Devoir, May 24th 2014

Residency – Mexico City, Conseil des Arts et des Lettres du Québec & Fonca - Summer 2014
Wonderful interview on Studio Beat - March 2014

Interview with Cow House Studios - April 2014

Exhibition Review-  Winnipeg Free Press  – April 2014

Garden of Eden organized by Fallen Fruit, Los Angeles – March 2014

TV Interviewed by Le Téléjournal de Radio-Canada, At 20:25 from the start, March 6th 2014 (In French)

Radio interview at Radio-Canada Winnipeg, interviewed by Colombe Fortin, March 3rd 2014 (In French)

My illustrations land on Mimi Hammer Swimsuit Collection (Summer 2014)

Photo: Manon Parent



Pitch Project (Milwaukee, MI) – Summer and Fall 2014

Optica (Montréal) – November 2014


Recently (in the last year)

Residency Libres comme L’Art at MIND High school, a program sponsored by Le Conseil des Arts de Montréal and La Centrale – winter 2014

Solo exhibition at La Maison des Artistes Visuels Francophones, Winnipeg – March 2014

Mister Jérôme Delgado writes a critic text (in French) about the exhibition at galerie McClure. June 8th 2013, Le Devoir newspaper. Read it here.

I am featured on ART 21. Check it out here.

Participation to FALLEN FRUIT, FRUITIQUE!, a group exhibition part of the Hammer Museum’s LA2050 project. November 2013

Drawing exhibition curated by Miss Véronique La Perrière M, at galerie McClure, Montreal – summer 2013

Show & Tell, an exhibiton in Los Angeles (Armory Center for the Arts, Pasadena, CA) – summer 2013

GuestHaus Residency, Los Angeles – summer 2013

Video Store curated by New Management, Access Gallery, Vancouver, B-C (august 2013)

I made a limited edition print with PASSERBY gallery in L.A. More info here.

Roxanne Arsenault wrote a clever text for my show at 101 Gallery. Read it here.

Attack Ebisu featured my work.

Julien Bois wrote a wonderful essay about my project TOP 30 for the exhibition at YYZ Artists’ Outlet. Read Julien Bois’s essay.


The end